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Download Antigüedad y actualidad de Luis Vélez de Guevara : estudios by C. George Peale PDF

By C. George Peale

Esta colección de estudios críticos se ha compilado con el propósito de revalorar al genial comediógrafo del siglo XVII, Luis Vélez de Guevara (1579-1644), y, posiblemente, restablecerlo como figura de importancia en los angeles historia del teatro español.

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Extra info for Antigüedad y actualidad de Luis Vélez de Guevara : estudios críticos

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2 For details of Saldaña and his court, see Joaquín de Entrambasaguas, "Un olvidado poema de Vélez de Guevara," Revista de Bibliografía Nacional, 2 (1941), 91-176; and my A Poet at Court: Antonio Hurtado de Mendoza (1586-1644) (Oxford, 1971), pp. 19-20. Gareth A. " The quotation from Soto de Rojas' poem is on p. 121. 4 Entrambasaguas, "Un olvidado poema," p. 129. 5 Antonio Hurtado de Mendoça, Convocación de las Cortes de Castilla, y Iuramento del Príncipe nuestro señor, Don Baltasar Carlos . .

Subse­ quent references, fols. 4 v -5, 19. 40 A lo que obliga, E2; Luis Vélez de Guevara, Comedia famosa del Rey don Sebastián, ed. Werner Herzog (Madrid, 1972), p. 91 ;Pero Vélez, p. 69. 41 , A lo que obliga, D5 V ; Pero Vélez, p. 63. There is specific praise for the privado, in this case Lerma, in El cavallero del sol (p. 1). 42 Pero Vélez, p. 108. Cf. courtiers' suspicions of someone's privanza in El Diablo está en Cantillana, p. 114; and A lo que obliga: "que la embidia siempre alcança / como sombra a la priuança" (E4).

I, 1600-1650 (Londres, 1971); II, 1651-1665 (Londres, 1973); III, 1666-1687 (Londres, 1974). Véase también Noël Salomon, "Sur les représentations théâtrales dans les pueblos des provinces de Madrid et Tolède, 15891640," BH, 62 (1960), 398-427; Emilio Carilla, El teatro español de la Edad de Oro: Escenarios y representaciones (Buenos Aires, 1968). 35 Repito en las líneas siguientes unas pocas notas aparecidas en mi introducción a Lope de Vega, Fuente Ovejuna (Madrid, 1978), pp. 18-19. 36 Una guía razonada al problema del teatro como signo, con reseña de las principales intervenciones y buenas indicaciones bibliográficas, es Gianfranco Bettetini y Marco de Marinis, Teatro e comunicazione (Firenze, 1977).

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